The matter is in each one different. One might say that some of it is autobiographical, but that holds only for Crazy Were We in the Head, and even there, few of my characters are based on real persons: the descriptions of Onkel Abe Hamm, for example, are clearly of my father’s eccentric uncle. One might say that much of my writing concerns matters religious, and here I would plead guilty. Everything from Crazy to Just Another Dead White Male to The Church of the Comic Spirit to Pope Dun the Incredible to Sacred Books & Sky Hooks shows the influence of my days as a professor of comparative religion. Dancing Over the Rays of Light is something of an exception, though the main character’s search for his true self could be said to be a pilgrimage.
It wouldn’t be easy to pin down either the matter or the style of all my novels.
The matter is in each one different. One might say that some of it is autobiographical, but that holds only for Crazy Were We in the Head, and even there, few of my characters are based on real persons: the descriptions of Onkel Abe Hamm, for example, are clearly of my father’s eccentric uncle. One might say that much of my writing concerns matters religious, and here I would plead guilty. Everything from Crazy to Just Another Dead White Male to The Church of the Comic Spirit to Pope Dun the Incredible to Sacred Books & Sky Hooks shows the influence of my days as a professor of comparative religion. Dancing Over the Rays of Light is something of an exception, though the main character’s search for his true self could be said to be a pilgrimage.
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Paul Enns Wiebe perpetually asks himself, "What do I want to write when I grow up?" Archives
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