Crazy Were We In The Head
An autobiographical, coming-of-age novel in which a young rogue learns why his great-grandma, a fine old Christian woman who spent her waning years stretched out on a cot in her daughter's parlor all dolled up in a black dress and a little silk hat and giving off old lady smells, had been married in a mosque way hell and gone out in the wilds of Central Asia.
Growing up in a Mennonite family in Inverness, Idaho back in the forties and fifties, John Reisender is perplexed. Why had Great-grandma been married in a Muslim mosque way hell and gone out in the wilds of Central Asia? On the road to solving this puzzle, he finds himself excommunicated, temporarily, from the family religion. He discovers that his maternal grandfather had escaped Czarist Russia, acts as an undertaker for a cat’s funeral, takes a crash course in Nietzsche from the keeper of the city dump, escapes drowning, becomes an unsung, accidental semi-hero in a high school football game, cheats death on a spelunking expedition, and falls in lust with a pious girl who sports a derriere that reminds him of the WWII pinup girl, Betty Grable. With a Dickensian cast of characters brimming with eccentrics, Crazy Were We in the Head hilariously and often movingly chronicles a singular American boyhood.
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"And if I laugh at any mortal thing, ’Tis that I may not weep."
​—Lord Byron

The Church of the Comic Spirit
One evening Father Alazon Lecher appears on a popular talk show to announce that he has received a series of revelations. Several God-sent angels, he says, instructed him to find and translate a set of twelve scrolls, then choose four disciples to help him interpret these scriptures-the Bear Lake Scrolls-and establish the Church of the Comic Spirit. The Scrolls, the original versions of some famous Bible stories, form the centerpiece of this novel. Each of the twelve tales has a distinct plot, style, and characters, who are cast in the roles of rogues, buffoons, fools, and schlemiels. God is often the central character, though his role and traits change from story to story. The teachings of the church are set forth in a brief catechism consisting of answers to FAQs, e.g.: Whether God exists or whether someone has been posing as God? Whether irreverence is the highest virtue? Whether laughter is the way to salvation?
The Bear Lake Scrolls consist of twelve comic stories, of which the more famous Biblical tales are inferior imitations. Each story has its own distinct plot, style, genre (short story, film script, newspaper coverage of a congressional investigation, diary, series of letters to the editor), brand of comedy (wit, satire, parody, sex farce), and characters (Eve and Adam, Methuselah, Noah’s wife Elsie, Abraham and Sarah, Lot’s wife Jane, Moses, Job, Johan, David and Bathsheba, Goliath – all cast in the roles of schemers, rogues, buffoons, fools, and schlemiels). God is often the central character, the comic hero, though his role and character change from story to story, just as in the standard Bible. 

Like every religion, the Church of the Comic Spirit has teachings. These are set forth in a short catechism consisting of answers to FAQs: Whether God really exists or whether somebody has just been posing as God? Whether sin is an art form? Whether women are smarter than men? Whether the profits generated by Bear Lake World, Inc., should be tax-free? Whether irreverence is the highest virtue? Whether laughter is the way to salvation? How many angels can dance on the edge of a hot tub? ​

Just Another Dead White Male

Ed Budwieser, an English teacher, comes to believe he is the reincarnation of Shakespeare. His wife and daughter don't believe it. His pastor has serious doubts. Only his grandson maintains a simple, childlike faith.

The First American Pope
The First American Pope revives the recipe for the picaresque novel. Take a charming rogue of low estate; flavor with a menagerie of bizarre companions; put this comic hero in a dozen absurd situations; establish him as pope. Then serve as an outsize farce that makes the recent scandals of priests and their fondness for altar boys, to say nothing of cardinals and their fondness for confidentiality, look like copy for a slow-news day.

This novel flays just about everything in the contemporary world that begs to be flayed – politics, the media, and of course religion. The comic hero is a mix of Shakespeare’s Sir John Falstaff and an ultra porn king. Benny Good’s misadventures lead him from a humble origin as an Amish foundling through stints as a novice evangelist, overland trucker, and radio talk show host, finally achieving the office that includes the perk of being addressed as Most Holy Father.

Becoming the first American pope, Benny finds, is not difficult. With luck, the aid of an agent with her eyes on the holdings of the Catholic Church, and the will of God, all he has to do is to allow himself to be reinvented by her think tank and then let his personal magnetism and verbal acrobatics loose on the world. 

Remaining the first American pope is another matter. Once elected, Pope Don the First discovers, one must do what popes are paid to do: compose encyclicals and, in his case, keep an outrageous secret hidden and the media at bay. Does he succeed? Beyond his, and the reader’s, wildest expectations.

Dancing Over the Rays of Light

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Dancing Over the Rays of Light is set in a Kansas retirement home and environs. It touches on the humor and pathos of the elderly, who sit, gossip, and dream while being largely ignored by their following generations. It is narrated by a wee cluster of cells that wakes up one morning with no memory of who, where, or even what he/she/it is. On finding that he is a very old man, he proceeds to discover his reason for being with the aid of a yoga instructor, a set of fellow inmates, a teenage girl detective, a sassy scrap of wood, and a nip or two of hooch.
 
The novel plows much the same field as Jonas Jonasson of The 100-Year-Old Man fame and Paul Harding’s Tinkers, though with a distinctive blade. It uses some of the devices of such unconventional writers as Flann O’Brien and Don Barthelme. It also has a bit of magic realism in it.

Sacred Books & Sky Hooks

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This experimental novel is a genre-bending work that blends nonfiction with fiction. It is a detective/literary work, providing high drama with an occasional dollop of comic relief.
 
The characters include the narrator and protagonist, Ethan Swift III, a former Washington lawyer and amateur comparative religionist who puts three founder myths—those created by Corky Ra, founder of a contemporary start-up religion; Joseph Smith; and the Apostle Paul—on the virtual stand and cross-examines their claims to having had divine revelations. Along the way Ethan encounters Alcina Smith, a beautiful Mormon apostate whose stern father is one of the Twelve; Sabrina Makespeare, a literary agent; Jason Joseph Allred, whose flirtation with polygamy puts both Ethan and Alcina in danger; and FBI special agent Dennis Box Elder, who offers Ethan a measure of succor.